Transformers Mosaic: "The Farm Report."
Monday, April 18th, 2011 8:31AM CDT
Category: Comic Book NewsPosted by: El Duque Views: 31,160
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These are some of those stories. This is:
It should be noted that while this project has been recognized by IDW Publishing and Hasbro, none of the works presented have been commissioned or solicited by either company. The stories are not official canon, except where noted. These stories are the result of Transformers enthusiasts taking the time out of their busy days to contribute to a universe they love. No one has been paid for the production of these stories.
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THE FARM REPORT
Story and Art by;
Pablo Praino
Colors by;
Fiorella Santana
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Posted by mattyc1007 on April 18th, 2011 @ 8:40am CDT
Also shows his other taste in music
Posted by Prowl Pants on April 18th, 2011 @ 8:52am CDT
Posted by WarzoneBeta on April 18th, 2011 @ 8:56am CDT
Ok so Blaster likes music from the Americas...so does Soundwave like J-Pop?
Posted by Blackstreak on April 18th, 2011 @ 9:39am CDT
Posted by Diem on April 18th, 2011 @ 10:23am CDT
Posted by Prowl Pants on April 18th, 2011 @ 11:08am CDT
Wow, good call Diem. That page also states Salt Man was released as a G2 Decepticon, which would explain the G2 logo.
Me Gusta!
Posted by Bumblevivisector on April 18th, 2011 @ 11:22am CDT
(Someone who knows the dates better, please correct me on any or all of this)
Say, has there been a mosaic with an in-canon explanation of how Knock-Offs fit into the mix, geographically? They're mostly associated with China, but ever since reading "The Deadly Paradise," I've become convinced that Madame Cee is still cranking them out on Carob Island...which might be near Dinobot Island, hmmmmm...
Well, anyway, AWESOME Mosaic! Great artistic talent used to bring some of THE most obscure of the obscure to life. Too bad Radio-AM's chest door seems to house his battery, preventing him from having any cassette buddies. Were there any cassettes strongly associated with Latin America? If not, perhaps he could hang out with Kabaya model kit cassettes?
Posted by Tigertrack on April 18th, 2011 @ 12:02pm CDT
I enjoyed it. Now I want to see all the minibots that are Argentinian, Mexican, and Venezuelan repaints have some fiction!!!!
Muy caliente, muy bueno!
Posted by F Prime on April 18th, 2011 @ 12:07pm CDT
Prowl Pants wrote:I've always been fascinated by non-U.S. and non-Japanese versions of the Transformers. Very cool - although I thought Salt-Man X was an Autobot?
Salt-Man X was an Autobot...but I think this is Robot-Man X. He was another repaint, but this time as a Decepticon.
Posted by Swiftpaw on April 18th, 2011 @ 12:21pm CDT
Posted by Doctor McGrath on April 18th, 2011 @ 1:23pm CDT
Posted by Dai_Ceefax on April 18th, 2011 @ 2:20pm CDT
...and one of my favourite items on my 'oddities' shelf. Top marks Pablo, much appreciated!
Posted by Windsweeper on April 18th, 2011 @ 3:47pm CDT
Posted by F Prime on April 18th, 2011 @ 4:13pm CDT
Posted by Fortress Rodimus on April 18th, 2011 @ 8:41pm CDT
Posted by Mechastrike on April 18th, 2011 @ 9:10pm CDT
Posted by zer0das on April 19th, 2011 @ 4:03am CDT
The writing itself could use some help, however. There's very little characterization done to make these guys anything more than stock characters or region exclusive figures. Sure, making them speak a different language is great, but what's stopping these robots from simply taking what they want? The use of language here seems excessive. Moreover, who are these robots before and after the battle? What's at stake here? As far as I can tell, these Argentinian Decepticons are amateur at best and probably won't be receiving a second take after this mosaic.
1.5 out of 5
Posted by heltskelt on April 19th, 2011 @ 5:41am CDT
zer0das wrote:The artwork is well done, no problems here.
The writing itself could use some help, however. There's very little characterization done to make these guys anything more than stock characters or region exclusive figures. Sure, making them speak a different language is great, but what's stopping these robots from simply taking what they want? The use of language here seems excessive. Moreover, who are these robots before and after the battle? What's at stake here? As far as I can tell, these Argentinian Decepticons are amateur at best and probably won't be receiving a second take after this mosaic.
1.5 out of 5
Excessive use of language but more backstory? To quote John Heard in Big: I don't get it! I don't get it!
What i do get is that you demand a lot out of a five panels.
What's at stake? What's always at stake for Decepticons: energon.
You would prefer them to just take what they wanted silently, and have no witty line as the Decepticon gets his comeuppance?
That would be a boring mosaic.
There's an arrogant tone in your final sentence, but i'll give you the benefit of the doubt.
This mosaic may not be the best any of us have ever read, but the art is great, and it led to some fun facts.
You want more backstory and character development: buy a comic.
Posted by Zombie Starscream on April 19th, 2011 @ 8:20am CDT
I love to seeing Autobots/Decepticons in other parts of the world other then the U.S.
Surely there are A/D bases in other countries? I want to see them.
Posted by PhunkJunkion on April 19th, 2011 @ 10:02am CDT
Posted by zer0das on April 19th, 2011 @ 8:06pm CDT
heltskelt wrote:
Excessive use of language but more backstory? To quote John Heard in Big: I don't get it! I don't get it!
What i do get is that you demand a lot out of a five panels.
What's at stake? What's always at stake for Decepticons: energon.
You would prefer them to just take what they wanted silently, and have no witty line as the Decepticon gets his comeuppance?
That would be a boring mosaic.
There's an arrogant tone in your final sentence, but i'll give you the benefit of the doubt.
This mosaic may not be the best any of us have ever read, but the art is great, and it led to some fun facts.
You want more backstory and character development: buy a comic.
To elaborate:
The use of different language, Spanish, for instance, does nothing in this mosaic. We can have "Latin America" or "Argentina" as a line to denote location--having the radio broadcast be in English will not change the meaning of the piece, having it in Spanish, Arabic, or any other language won't change anything--although I'd challenge you to prove otherwise.
Hemingway wrote a short story in six words (entitled Baby Shoes, I suggest you look it up); in contrast, five panels is a lot.
Clearly, energon is at stake, bravo, you win. Except, I ask this to the point of seeing what is at stake for these characters outside of this mosaic, beyond this very moment. Of course energon is at stake, but there is no reference to an existence outside of this piece--which makes this piece singular and short of depth. To reference Hemingway's piece, baby shoes are being sold, which of course is similar to the effect of energon being taken. Yet, what Hemingway does (which the writing in this mosaic does not) allude to, is death of an infant. The story functions on multiple levels, while "The Farm Report" remains superficial.
The idea of what is witty is subjective. You can try to convince me that making jokes based on auditory functions are funny because Radio AM-Robot is, well, a radio, I get it. Is it witty? For me, no. It seems perfunctory. Does it need to be silent? No, but can there be a better way to make this joke? Certainly.
Take for example this Mosaic:
http://transformers-mosaic.deviantart.c ... /#/d39ii0u
This is a great example of multi-level story telling.
But let's focus on this for the sake of paralleling obscure characters:
http://transformers-mosaic.deviantart.c ... -147023719
Under-3, among other McDonald's toys are characters in this mosaic. One receives the interiority of Under-3, which not only characterizes him but also serves to break down the action sequences of the story. Further, Under-3 alludes to the relationship between he and Blackarachnia beyond the scope of this fight. Not exactly the most brilliant script either, but it's better executed and gives more meaning and life to these characters. One has a glimpse of how and what happened prior to this scene. There's tons of story here.
Finally, the point and purpose of the mosaics, seen on the TF Mosaic FAQ states: "All Mosaics must be self-contained on a standard comic page (more about exact dimensions later). Each piece must tell a coherent one-page story." Just how coherent or complex this story is depends on the author. "The Farm Report," as it were, is not that complex. Does it make it a bad story? Not necessarily, but for me it doesn't make it all the more compelling. The story starts on that one page and it ends there. Where "Meals of Sin" succeeds is that there is a life before it starts and after the Mosaic ends.
Given that the restriction of one page to combine art and script is a difficult endeavor, there are people who can certainly place huge amounts of significance without exhausting a single page. Yet, there are masterpieces that span hundreds of pages. Is this a great mosaic? To me, it can be done better. To you it might be the most brilliant thing. By all means, stand by that, but there are greater examples out there.
Posted by Jelze Bunnycat on April 20th, 2011 @ 1:00pm CDT
Seriously though, the Spanish language is used in full to accent the language barrier between the Decepticons (who assume English is Earth's only language I think) and the farmers in Argentina who don't speak English. The fact that it's merely a moment in the life of non-US canon Transformers just tickles my fancy. As it's a mere moment, they don't need characterisation, at least for now.
btw If you guys need names:
Red and white Twin Twist: G2 Robot-Man X
Green and white Top Spin: G2 Robot-Man Z
In short, Salt-Man were (presumably) G1 Autobots, and the Robot-Man were their G2 Decepticon counterparts
Posted by zer0das on April 20th, 2011 @ 5:31pm CDT
JelZe GoldRabbit wrote:You're reading too much into things. Here, have a cookie. It's chocolate chip
Seriously though, the Spanish language is used in full to accent the language barrier between the Decepticons (who assume English is Earth's only language I think) and the farmers in Argentina who don't speak English. The fact that it's merely a moment in the life of non-US canon Transformers just tickles my fancy. As it's a mere moment, they don't need characterisation, at least for now.
Suppose I am taking this too seriously, I never really saw the importance of a monster, much less a giant robot, asking a lesser being for something rather than just taking it. Language, in this instance, seems all too superfluous (like a villain revealing his plot in great detail so as to give the hero enough time to recover...). In such a way it makes this story cheesy. A real life example would be that a hunter would never ask its prey for its meat, he would just kill it.