Review of IDW Optimus Prime #5

Synopsis
It’s battleground: Earth once more, as the uneasy peace between Optimus’ forces, the Junkions, and G.I. Joe collapses amidst betrayals and subterfuge. Will Optimus Prime and Pyra Magna be able to put aside their differences—or is war really the only way forward?



Story

The turbofox excrement hit the ventilator last issue, as you might recall, with Sharkticons pouring out of the Junkion corkscrew ship by the thousands, Pyra and Optimus not entirely seeing eye to eye (and the complications, if you will, seen in the Ghost Stories annual), and the human side of the alliance still being the squishier part of the two - not ideal in most combat situations.



For an issue that is very, very much tense and building up to a potentially even bigger rupture point, John Barber manages to work in a lot - and I mean a lot - of humour: quips, side comments, snide comments, jokes, tension being maaaybe defused by the likes of Wreck-Gar, Cosmos, the captions, even Aileron and some early snark from flashback cameos. Prowl is undoubtedly not amused.



The narrating voice this issue belongs to Arcee, whose story is still somewhat being developed, and we get to find out more about her attachment to Sideswipe, why she needs him to live, how she might do that, and how her skills will turn in handy in this new fight erupting just over Earth again. The tone, at times, feels a little discordant with the action taking place, I'll admit, but not entirely distracting.



A number of readers and followers of the story have commented on the ruthlessness of Optimus Prime as seen in the preview, and speculation is running high on why he might be behaving this way after all. There may be more to it in the flashback again, as it develops both his motivations (next to omnipresent Prowl) and, in a very nice parallel track, Soundwave's. More on this below!

Art

Kei Zama returns to the artwork after the one month fill-in, and we get to see even more of her Sharkticons in action, plus the dynamism of the various action sequences in the issue are brought out in their wider framing without losing any of the detail that her style focuses on. Plus her Optimus looks truly menacing, with the broken faceplate and warlord stances.



Staying as the staple connector between artists is technicolour wizzzard Josh Burcham, and I still really appreciate the contrasts between flashback and current time, plus the paler palettes used to counteract the heavier inking of Zama's style - Junkions and Sharkticons both continue to look excellent, and battles are even more vicious as a result.



Where I mention above that the Arcee caption monologue can be jarring, the result is definitely tuned down by the lettering, marking them out as separate, in effect, from the action in the panels they show up; the lettering choices by Tom B. Long make it easy to separate and follow equally. Cover-wise, we have a full TF roster with week with some excellent Casey Coller/JP Bove, Andrew Griffith/Josh Perez and EJ Su pieces to accompany the main Zama/Burcham one. All can be seen in our database entry for the issue, here.

Thoughts
Spoilerish ahead

What started out potentially a just-action-fight-scenes sequence, turned out to be a pretty excellent chapter rushing towards the finale in the next issue, and a highlight for many characters involved in the cast: Arcee gets her moments, though I expect more next time; Jetfire, Aileron, the Colonists get some nice time, Cosmos is thrown about and even Optimus himself has a decent block of character added to him.



But it is Soundwave that absolutely shines here, and shows his true Decepticon ideological self - echoing some of the best revolutionary discourse, showing his actual political inclinations, deploying the skills that made his so valuable to the purple cause in what could've been a devastating new conflict - and resulting much scarier (if HECK YEAH) in the process. Suck it, Funny Truck.