Ain't Easy Being Green
(Spoiler free-ish)
SynopsisBOOTS ON THE GROUND! The war has begun—and no bars will be held! SCARLETT’s forces go head-to-head with MEGATRON’s hordes—and the most off-beat adventure in comic book history hits a new level of dangerous alliances, deadly invasions, and devastating betrayals!
Flagg: F**k yeahThe introduction to Tom Scioli's world of G.I. Joe and Transformers has really been like nothing else so far, in issues #0 and #1, even with John Barber's vigilant watch. And issue #2 continues the streak of whatever-it-is this comic is doing, with its anachronistically retro style and feeling, toy advertising without the products and general action-packed whimsicalness.
I.. wut.. huhWe headed with Scarlett's team to Cybertron at the end of last issue, and this is where we find ourselves straight away, as the Joe team brings the war begun by the Decepticons to their own turf - and it sets up the rest of the universe, as Autobots are subjugated by the Kirby-esque merciless godhead figure of Megatron, and his minions.
Thanos Darkseid Megatron on his throneThough the big bad gun is a slow build-up, Scioli does not hold back on the even bigger, if not the brighter, guns: Trypticon and Devastator, all still through the (I guess) military eyes of Scarlett and the other humans, searching for targets in true Earthican foreign policy: stamp on, blow up, then investigate the remains.
...eeeeeEEEEEEEE...There are some amusing references to the nature of all the characters and their plastic counterparts, though as I said, without the toys existing. The dialogue is still completely over the top, and is still not for everyone, along with the thread being very very thin, though a little tighter than last month. But it's also extremely enjoyable if you can buy into the whole premise.
ArtAnd I suppose, the artwork. Tom Scioli perseveres in his Silver Age style of dotted galaxies, peculiar proportions, referential work (with Flash Gordon also featuring in some scene set-ups, as the commentary expands upon), mirroring what is already present in the dialogue and set-up with the visual style that some readers still consider a hurdle.
How can you not love it..?Personally, however, I find that not only does the style really work with the aim of the series, it allows Scioli as both writer and artist to place all of his toys across the drawing board, and just go wild with the colours, interactions and the stupidly fun lettering touches, from the titles to the ID cards to explosions and EEEEEEEEEEEEEEEEE.
..EEEEEEEEEEEEEEE...I applauded the production of the book last issue as well, but it is nice to see Chris Mowry's work still shaping the final product. I am not a gigantic fan of the exclusive Liefeld and Tyndale covers, but the Ed Piskor Cobra heavy one and the two Scioli versions are perfectly in keep with the tone and content of the book (thumbnail: Retail Incentive cover by Scioli).
ThoughtsSpoilerish aheadIf you're not on board with
Transformers vs G.I. Joe by now, I'd recommend to stop trying. This comic is clearly not for you, and by no fault of the readership. It is doing what it does unapologetically, and received warm-heartedly by many for very good reasons, and it's little to do with the actual lore of the franchises involved in the crossover, if only maybe as reference material and gags. And Scioli and Barber are clearly having barrels of fun with it.
Pictured: Barber and/or ScioliWhat is particularly enjoyable, is that after the rollercoaster up a snake with wings in its nose that is the story, the two creators give themselves almost the same amount of space to talk about what went into the creation of the issue, page by page, panel by panel, deconstructing the whole frame and proving just how not seriously this is to be taken - but also how to, if so one wished. I will stop warning readers about this by next issue, but enjoy some green mean killing machines in #2 for now.
