With this week's release of the trade collected version (the
hardcover already came to fruition) of the three
Cybertron Wars Prime Wars Autocracy stories into one volume, here at Seibertron.com we considered doing a brief revisitation of the Flint Dille, Chris Metzen, and Livio Ramondelli effort to bring some more backstory to the pre-war moments.
First, another look at the previously unused cover that became the collected trade one!
Transformers: Autocracy -
Database entryThe Great War has begun and the Decepticons have taken the city-state of Kaon. They now work to sow dissent across Cybertron via terrorist cells. Orion Pax leads a team in an effort to stop them, while confronting the true nature of what it means to be an Autobot.
My predecessor, Tigertrack, was the one to first encounter the book as it was a digital only release, which then became digital first - his review of the opening issue is
here. Other staff member Psychout worked on the other reviews, up to issue #5 (
here,
here,
here, and
here).
The major points to be taken from the first of the stories,
Autocracy itself, revolves around the senate and Zeta Prime's actions around them and through them (which we're also still seeing in the Optimus Prime ongoing series by Barber and Zama), the not-very-goodness of the Autobot faction - who are essentially violent state militia - the rise of the Decepticon faction as revolutionaries, and the doubts seeded in Optimus Prime/Orion Pax as he follows Zeta's warmongering directives. And a violent Pax it is, with a little help from his friends (Bumblebee in particular) to keep him from thuggishly pounding his way to order. And from his enemies, Megatron above all, who are the ones to plant those seeds in the second place.
The read is quick, the action is action-y and a little chaotic at times, with Ramondelli not yet hitting his stride with the refined trait he uses in more recent comics, and the lettering by Robbie Robbins doesn't always necessarily help with that. While it was nice to see a War Within/Megatron Origins set of designs, some jar a bit with the characters they're representing, and did not keep well up to now.
Outcome: Megatron and Optimus fight, the war begins.
Peak Dille moment: the revisiting of the 1986 battle between Optimus Prime and Megatron, with a very, very heavy hand in the retelling (for the good part of several issues), and some JJ Abrams levels of fanwinking (with an I, but almost an A).
MVP: A young 'terrorist' that is the fulcrum of the second half of the plotline: Hot Rod of Nyon. In the words of fellow staffer Kurona, this is probably the best explanation/foundation to his MTMTE/Lost Light characterisation, actually believing in a revolutionary ideal to the point that he blows up an entire city
Transformers: Monstrosity -
Database entry In the early days of the war on CYBERTRON, OPTIMUS PRIME puts everything on the line to unify the planet—but not everyone agrees that this new Prime should be in charge! Meanwhile, the fallen DECEPTICON leader, MEGATRON, begins a journey that will change everything.
I was part of the comics staff by now, and covered all four print issues of the digital-first sequel series to Autocracy (
here,
here,
here,
here) - and admittedly, I actually quite enjoyed it for what it was. And what it was was an exploration of Megatron's commitment to his ideal (after being thrown onto Junkion by new Decepticon leader Scorponok), his formation as a full tyrant, and a peek into the collective mind of the Dynobots and the full power of their alt-modes.
All that while incorporating more elements of the 1986 movie stuff, plus some live-action movie facets of some of the characters - and by that I mean Megatron, his patchwork of injuries, and propensity for cloaks. The artwork, while still working on earlier Ramondelli style, really blended well with the tone rather than the matter, and the weird hybrids used in the story, the monstrosities, came out looking excellent.
Outcome: The war keeps beginning.
Peak Dille moment: Hey Quintesson judge. Nice to see you there, being a teacher/trophy to Megatron and all.
MVP: Despite a tie between Grimlock, though used at not his very best, but rather in a very old characterisation, and Megatron himself, even with the disproportionate amounts of cheese in the series overall - Tom B. Long's lettering wins this spot.
Transformers: Primacy -
Database entry THE WAR FOR CYBERTRON! Optimus Prime versus Megatron. Autobots versus Decepticons. At the dawn of the conflict, battle lines are drawn and sides are set… now legends will be made. The war that would define a planet begins in earnest—and its revelations will shake the TRANSFORMERS' world to the core!
I was reviewing these as they came out, but by the third one I got so bored of the story and the writing, that I never actually finished a review for the ending. First three are
here,
here, and
here. Whoops. The issues I had with this final section were mostly to do with contradicting and confusing statements made by characters in the story (Omega Supreme above all still grates me), though the first half was way more enjoyable than the latter part. The plot, on the other hand, is very very very very thin.
Ramondelli and Chris Mowry have all of the fun with this series, playing around with large-scale devastation and all the noises that come with it, because all the series wanted to do was have a giant battle with all of the possible characters in one place, and pit Trypticon against Metroplex. Done and done.
Outcome: The war KEEPS BEGINNING TO START. Jeez.
Peak Dille moment: All of it.
MVP: Sarah Stone and her covers.
Concluding thoughtsThe series doesn't really add that much to the IDW universe, even in its attempt to uncomfortably sit between Megatron: Origin, Chaos Theory, early flashbacks across the ongoings, and most importantly, the current happenings in Optimus Prime. With the latter especially, what information is being fed to us by Barber's writing is actually more than enough to get the rest of the context - at the same time, the highlights of the series might appeal to a reader who wants some extra cheese on a sprinkle of background motivations, and with the Junkions and Quintessons appearing or bound to reappear soon, it's worth giving a look at if you're so inclined. It can fit with an IDW or Transformers completionist, but it is by no means essential reading, and for a more traditional fan, the IDW editorial veil may not sit well. It has fights, but also politics; it has references, but also new characterisations; it has an audience, but we're not sure who that is, essentially.
Do not expect Barber, Roberts, or Scott levels of writing: the exploration of the grey shades between the factions is done much better in later series, including the very current Lost Light and Till All Are One, but most of all, the flashbacks in Optimus Prime. Do expect cheese: it's what Dille does best, and Metzen is mostly there for the assist in world building of a world that already existed. Don't @ me if you like it more or less than I did: I'm just noting down thoughts on a series that happened over three years ago, as I had some time over the weekend and there are no new comics for me to review.
*insert 1986 movie reference here to come full circle*
