Down to Eart(h)
(Spoiler free-ish)
SynopsisEARTHFALL! The AUTOBOTS return to Earth—with OPTIMUS PRIME in command! But what brought them back—and what terrifying secret do the humans hold? A bold new era begins here!
Aaah, EartHere we are again, on this blue planet of ours. This round, blue, beautiful, peaceful planet of ours: Eart(h). Which is not that peaceful, or round for that matter, or happy to see any more robots after what happened last time robots were around - yes, All Hail Megatron and the 2009 ongoing. Bit of a mess for everyone, really.
Here's a recap, for our viewers at homeJohn Barber goes back to wearing his writing hat, and back to the Robots in Disguise cast as they see their ranks shifting a little. We get Optimus Prime leading a new team of Kup, Prowl, Jetfire, Arcee, Skylynx, Jazz, Cosmos and Sideswipe - so maybe not entirely the same cast, but it's one with good tensions and chemistry so far. And Prowl being his usual. As usual.
Hellooo Generations Leader JetfireThe dialogue seems to have lightened up from pre-Dark Cybertron RID, and there is definitely more action, a lot more action, even in the flashbacks scattered throughout the issue, taking place after the first few pages. Pages that feature some glorious
fanfiction screenplays written by none other than the only (?) Cybertronian left on Earth last time round: Thundercracker.
Handsome as an F-22 jet fighterGood dialogue, nice selection of cast and interactions, really nice set-up with both the Cybertronian past, Alpha Trion showing up as a potential goal for the cast, Thundercracker's presence and Earth's inevitable hostility towards incoming Cybertronians. The mix so far is actually pretty good, and everything has freshened up a lot since the Cybertron days!
ArtThe artwork duties, for both pencil and ink, flashbacks and present-day settings, are with Andrew Griffith. And my, do his robots and Earth shine. The -
ation styled Thundercracker is impressive, and there are so many full page panels in this issue that I'm left in awe at the likes of Skylynx, spaceships, planets, cities and.. well, you'll see. Though I am left a little wondering about some strangely shaped human faces, especially in a couple of Marissa's shots.
Here, have a MetroplexColour duties, on the other hand, are split between past and present, between Joana Lafuente and Josh Perez. But they both equally shine their own glossy, refracting, shaded light on their own respective sections. Lafuente's Cybertron looks gritty and grainy, with lasers pewpewing through everything, while Perez' Earth has the right amount of ominous shadows and glorious natural hues.
And a good old purple-badged Megatron, tooThe lettering duties fall with Tom B. Long, and dutifully and sparingly does he deliver sound effects and fonts. There are some really good WRUNCH and RUUUUNCH sounds later in the issue. We get three covers again, too, with Griffith and Lafuente on B, Casey Coller and Lafuente on A, and the RI interlocking variant cover by Livio Ramondelli - most of which featuring the big blue face of Optimus Prime.
ThoughtsSpoilerish aheadStarting again almost afresh after Dark Cybertron? In my opinion, it works. It gives Barber and the Autobots a new playing field, a credible threat, complex negotiations with Earth and the possibility to make the running joke of robots being unable to pronounce trills and fricatives (you try, without lips or teeth or tongue). And it's still connected to what has just happened with Dark Cybertron, and some nice references to earlier stuff (and Megatron's trial, which we'll finally see in MTMTE #28).
Cosmos, going all metaThe art crew do some impressive teamwork, too, with Griffith's art only slipping a couple of times, but showing off some amazing skill everywhere else. Add Lafuente and Perez' colours to all of that, with their slightly different hues and tones, top it off with good lettering - it's a comic worth reading, looking at and definitely buying. I am not concerned about the Earth setting at all, if this is telling of what will happen.
