Shut Up, Optimus
(Spoiler free-ish)
SynopsisCaptured by Transformers! Even with the Autobots on their side, G.I. Joe is in trouble! Starscream doesn’t trust anyone, much less armed humans who show up during Cybertron’s darkest hour and he’ll do anything he can to keep G.I. Joe under control—including let COBRA get even closer to their goal!
Agreed.We continue our exploration of the wider Hasbro Universe as the First Strike event reaches the second act in its first issue over at IDW Publishing, as writers Mairghread Scott and David A. Rodriguez attempt to bring together and make no one kiss from the various feeble alliances at hand - and Starscream is tired.
So very tiredThe momentum we had seen in the previous three issues seems to have waned a bit by this fourth issue, as the charge of the story is shifted to the two major factions colliding on Cybertron, now that politics and policy take over the immediate response to Ironblood's threat. Which was to be expected narratively, but I think also drags the pacing a little too much - which may be rectified in the next two issues.
and we all stumbleLook, I like a good dissection of Optimus Prime's character and saviour complex, and I have always enjoyed how Scott included that in her look at religious issues in Cybertronian and its colonies' culture, but one sequence in this issue that once more to that felt a little redundant after the parallels drawn with Scarlett and Soundwave last issue. Either that, or more could've been seeded earlier in the event, if this is going where I think it might.
buuuuuuuurnAs for characters in general, there are some good moments and snippets for individuals - but Scarlett, like Optimus, unfortunately takes a little too much too far too heavy of a burden for the story and the personal/political side of the event. The back-up story (at the hands of John Barber), on the other hand, was particularly enjoyable, and once more Mayhem steals the scene now that Shazraella is fully introduced (who finally clicks with her WoK drive, too).
ArtMax Dunbar (pencils) and John Wycough (inks) take the lead story's art duties, with Ander Zarate on the colouring side, and I am not entirely conviced, I'll admit. Dunbar's style still feels as though he's trying to adapt to the different moments in the story, but rather than finding a lead motive, it just falls into looking like other art depending on the sequence - not helped by the jarring contrast of heavy inks on an otherwise much lighter touch everywhere else in the issue (Wycough is only pages 3-9), meaning that the Cybertronians in trial are a bit too static for a full appreciation of the exchanges.
See? The inks are just drowning everything else in her faceAs for the small chapter of backstory at the end, on the other hand, the collaboration between Netho Diaz (pencils), Walden Wong (inks), and David Garcia Cruz (colours) meshes really nicely - and not unnecessarily darkly - with Barber's short script, bringing some good spotlights onto Shazraella and Mayhem, still my favourites by far, and the compositions that the difference in scales allow for such a short frame of story space.
Gilberto Lazcano takes on the lettering duties in the issue, and I find no faults in his approach to the captions and dialogues, but it takes a long while to see full creativity with the soundscape of the more action-based scenes later on. The cover chosen for the thumbnail is a good summary of the main thread running for the most part of the issue, by talented Alex Ronald and Thomas Teyowisonte Deer -- and all other covers, of which there are many, can be found in our updated entry database right
here.
ThoughtsSpoilerish aheadThere have been comments about this event that I strongly disagree with, but I have to admit that this particular issue did not do well what the previous three had handled really quite nicely, by adding some forced parallels, stilted dialogue moments, and pairing them with some not particularly strong visual results to carry the story forward - meaning that a particularly important moment for TF readers may be lost in tonal overbearing.
basically, #sameI'm not saying it's a bad issue, but it does have its severely dipping moments that it most definitely could not afford at this stage of the event, and by the nature of the event itself, too. Enjoy the Mayhem, enjoy the Starscream, enjoy the jabs at Optimus - and appreciate the difficulty of balancing all of the characters involved. But if this were to be entirely Scarlett's story and her relation to Colton, the issue sunk a bit too far into itself to make any other emotional connection work for me.
